Tag Archives: sonic youth

Women’s History Month – Women Who Rock: Ladies of the 80s

15 Mar

Oh, the sweet, blessed 80s heaped with big hair, leather and anything goes. We’re walking right into my wheelhouse with this decade, having been weaned on the teat of MTV, and the Ladies of the 80s were too. This was a time when musicians weren’t just heard but seen. Image was everything, and artists were now faced with the task of making music videos to propel their hit songs. What emerged was a handful of women who became iconic for their voices, their talent and their keen fashion sense.

pat b

Click to watch Pat Benatar’s “You Better Run”

Pat Benatar – Benatar was in heavy rotation in the early days of MTV. In fact, “You Better Run” was the second music video to air on the network right behind the Buggles’ “Video Killed the Radio Star.” Her killer mezzo-soprano voice not only cracked the glass ceiling in a male-dominated medium, it shattered it down to the ground.

pretenders

Click to watch the Pretenders’ “Brass in Pocket”

Chrissie Hynde – Read Chrissie Hynde’s take on How to Be a Lady Rocker. Enough said.

joan jett

Click to watch a clip of Joan Jett & Michael J. Fox in Light of Day

lita

Click to watch Lita Ford’s “Kiss Me Deadly”

Joan Jett and Lita Ford – Post-Runaways, Joan Jett and Lita Ford went their separate ways in near every sense of the word. Lita Ford went the slick, sexy, metal maiden route while Joan Jett went down the road of straightforward, ballsy rock n’ roll.

annie lennox

Click to watch the Eurythmics’ “Sweet Dreams”

Annie Lennox – Lennox is synonymous with the word androgyny during her stint as lead singer for the Eurythmics in the 80s. Her signature orange buzz cut and uniform of tailored men’s suits are still replicated in fashion today, but Lennox didn’t wear short hair or men’s suits because she wanted to be a man. She once said to Grazia Magazine, “I wanted to wear a suit to show that I am equal to a man, not that I wanted to be one, or that I was gay — which is what it was interpreted as…but there you go.”

siouxsie sioux

Click to watch Siouxsie and the Banshees’ “Hong Kong Garden”

Siouxsie Sioux – Siouxsie Sioux was an authentic outcast, an original misfit doll rocking the punk scene in the late 70s and 80s, who spawned a look mirrored in modern day musicians like PJ Harvey and Karen O. Siouxsie and the Banshees had a much farther reach with their sound, influencing U2, the Cure, Jane’s Addiction, Santigold, LCD Soundsystem and a dozen others.  

sonic youth

Click to hear Sonic Youth’s “Star Power”

Kim Gordon – Sonic Youth was labeled alt-rock when they staked their claim on the musical landscape in the early 80s, but when Grunge infiltrated…just about everything a decade later, Sonic Youth became the genre’s First Family. Bassist and singer Kim Gordon was one of the original Riot Grrrls, wearing baby doll dresses and swimming in her oversized cardis long before Grunge not only became a music movement, but a fashion one, as well. 

go-gos

Click to watch the Go-Go’s “Our Lips Are Sealed”

bangles

Click to watch the Bangles’ “Hazy Shade of Winter”

The Go-Go’s and The Bangles – At the onset, the Go-Go’s were all raunch and punk, the Bangles were retro garage rock and Paisley Underground, but both bands became polished pop sweethearts proving chicks with guitars could rock as hard as the boys.

cyndi lauper

Click to watch Cyndi Lauper’s “She Bop”

Cyndi Lauper – “Girls just wanna have fun, but some of us wanna be in a rock band, too!” Lauper said as host of the PBS documentary, Women Who Rock. Lauper was a crazy technicolor mashup of those who inspired her to become rock star. Stevie Nicks, Ann and Nancy Wilson, the Runaways and Deborah Harry were all in there, mixed together and creating a style in Cyndi Lauper that was entirely individual and new.

vixen

Click to watch Vixen’s “Edge of a Broken Heart”

Vixen – Upon finding this picture of Vixen, a one-hit wonder all-female Hair Metal band, I fully realized how much androgyny was going on with the 80s Hair Metal scene. I mean, yes, no duh, the guys in Poison and Motley Crue definitely had the “Dude Looks Like a Lady” thing licked, but the ladies in Vixen kind of had a whole  “Girls who are boys/who like boys to be girls” vibe going on.

I went back and forth about mentioning one more lady from the 80s, and perhaps the lady of the 80s. The women who have found their way onto this list have helped shaped my sphere of influence, and those who know me would think I’ve fallen and bumped my head had I not mentioned one woman in particular. While I think she rocks, she is not, technically, a woman who rocks, so I’ll simply say this…

“There’s only one queen and that’s…”

madge vogue

Click to watch Madonna’s 1990 MTV Awards performance of “Vogue”

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The Joy Formidable are a Formidable Force to Be Reckoned With

15 Sep

Rock acts have been sorely absent from the music charts of late, and North Wales band the Joy Formidable sounds worthy of a place at the table. Their full length debut, The Big Roar, is a nineties throwback, but in more of a refreshing homage rather than a carbon copy kind of way. The Big Roar mixes fuzzy guitar riffs and heavy, heart thumping drum beats with layers of deliberate distortion. Songs like “A Heavy Abacus,” “Austere” and “The Greatest Light is the Greatest Shade” have infiltrated indie rock airwaves, standing out with their pop/rock hybrid of hooks to the tune of singer Ritzy Bryan’s ethereal yet driving voice. Simply put: they are a big deliciously blurry sound of grungey rock goodness, and they are breathing life into a genre that has been stale for quite some time.

Their influences are varied, drawing from many different genres, past and present, and not settling on any one, lending even more so to their timeless sound. Growing up, bassist Rhydian Dafydd tended towards Hendrix and other artists of the 60s and 70s, but says, “It was all really just a gateway to good and bad music, in my eyes. I’m not drawn to any specific genre. I enjoy anything with a story and a unique voice and, ultimately, a soul is good enough for me.”

Same goes for the other members of the band. Dafydd says singer/guitarist Bryan was “spoiled for choice” by her mom and dad’s massive record collection. At an early age, she was exposed to Bruce Springsteen, Elvis Costello and other great songwriters like Van Morrison and Bob Dylan.  “I’m sure that had a big effect on our songs being very lyrically driven,” he says. Drummer Matt Thomas’ taste is also varied, spanning the spectrum from jazz to metal with some Frank Zappa in between.

For Dafydd, it all comes back to good and bad music. “That’s why an album for us is a very dynamic piece of work,” he says. “I don’t want to hear the same sound or same structures twelve times on an album. I want to take you on a journey.”

And the Joy Formidable deliver. These varied musical tastes come together in a post-grunge sound that has traces of the Pixies, Sonic Youth, Garbage and Smashing Pumpkins. Bryan only plunges the bands’ sounded deeper into the 90s, drawing parallels to grunge girls PJ Harvey and Louise Post and Nina Gordon of Veruca Salt. Even Bryan’s look channels Courtney Love with her updated baby doll dresses, albeit Bryan looks the wholesome, impish anti-thesis to Love’s heroin chic hot mess.

So it is easy to see why Dave Grohl tapped the band to open for the Foo Fighters this fall, alongside Social Distortion. “It’s a kind of nice story because it seemed to come around quite naturally,” Dafydd says. While driving one day, Grohl heard the band’s “Whirring” but didn’t catch the name of the band. Trying to remember the tune in his head all the way home, Grohl figured it out, tracked them down, and since then, the Joy Formidable has played several shows with the Foos, including a secret show at Lollapalooza and some dates in the UK.

Dafydd confirms what so many others are already saying about Grohl and the Foo Fighters being the nicest guys in rock & roll, “We had a blast. They’re very down to earth and still know what’s important about it all and that’s the music,” he says. “Sometimes you get people with motives or with weird sort of egos and competition. They seem genuine, and that means a lot.”

The Joy Formidable came together in its most recent incarnation three and a half years ago. Bryan and Dafydd are childhood friends and reconnected musically in their hometown after a string of bad experiences, “We got back into writing music for the right reasons. We started enjoying and losing ourselves in the music, which is what is important.” They found a drummer. They rehearsed. That drummer didn’t work out. They found Thomas, and since he joined two and a half years ago, Dafydd says, “It’s been non-stop gigging.”

In addition to being childhood friends, Bryan and Dafydd are also a couple.  Dafydd says the only challenge for them in that respect is to find alone time because the band and the music is so all-consuming but says that was a choice the two made early on. “We’re quite lucky in that, first and foremost, the music is what brought us together,” he says. “We had that before we even became a couple.” If anything, he says it adds to the natural dynamic and chemistry necessary in a songwriting partnership. As with everything else, Bryan and Dafydd see it as a blessing that they get to travel this journey together.

“It’s a really beautiful thing that we’ve found it together. Dynamic in a band is a very precious thing,” he says.  He cites chemistry as a crucial element in a band because of the amount of time spent together, and says, “We feel like we’ve got that ultimately. When we get onstage, that’s where it all comes into its own, and we really lose ourselves. That’s where the beauty and the truth comes out.”

That beauty and truth is ever present on their journey, and there is a moment in every day that Dafydd is well aware that he and his bandmates are living a life many only dream of, “It’s not a job at the end of the day,” Dafydd says, “It’s a lifestyle, and it’s a privilege to be able to give value to our creative outlets in a way that it connects with other people. We don’t take any of it for granted.”

Dafydd, Bryan and Thomas have been travelling the festival circuit for a large part of the last year, and the rest of 2011 includes another month or so of festivals before a headlining tour in the UK. Then they’re back in the US for the Foo Fighters’ dates and even more shows follow after that. Dafydd wouldn’t have it any other way, in fact, he revels in the travel and touring to help generate the spark of creativity.

The variety of travel affords the band with the opportunity and freedom to get ideas down, collaborate and feel inspired, “It’s a great time to be feeling these things and seeing these things and meeting new people and seeing the world in that different light.” He adds, “To challenge yourself as a songwriter, you have to be able to put yourself in different contexts.”

The band arrives in Philadelphia Friday, September 23 for the Popped! Music Festival at FDR Park and then again for their date with the Foo Fighters at the Wells Fargo Center on Thursday, November 10. They’ve been to the states several times, staying mostly along the east and west coastlines, and Dafydd knows they’ve got some ground to cover in between, “There’s still some nooks and crannies, but we’ll get there.” No doubt about that: the Joy Formidable are well on their way.

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