Tag Archives: Foo Fighters

The Joy Formidable are a Formidable Force to Be Reckoned With

15 Sep

Rock acts have been sorely absent from the music charts of late, and North Wales band the Joy Formidable sounds worthy of a place at the table. Their full length debut, The Big Roar, is a nineties throwback, but in more of a refreshing homage rather than a carbon copy kind of way. The Big Roar mixes fuzzy guitar riffs and heavy, heart thumping drum beats with layers of deliberate distortion. Songs like “A Heavy Abacus,” “Austere” and “The Greatest Light is the Greatest Shade” have infiltrated indie rock airwaves, standing out with their pop/rock hybrid of hooks to the tune of singer Ritzy Bryan’s ethereal yet driving voice. Simply put: they are a big deliciously blurry sound of grungey rock goodness, and they are breathing life into a genre that has been stale for quite some time.

Their influences are varied, drawing from many different genres, past and present, and not settling on any one, lending even more so to their timeless sound. Growing up, bassist Rhydian Dafydd tended towards Hendrix and other artists of the 60s and 70s, but says, “It was all really just a gateway to good and bad music, in my eyes. I’m not drawn to any specific genre. I enjoy anything with a story and a unique voice and, ultimately, a soul is good enough for me.”

Same goes for the other members of the band. Dafydd says singer/guitarist Bryan was “spoiled for choice” by her mom and dad’s massive record collection. At an early age, she was exposed to Bruce Springsteen, Elvis Costello and other great songwriters like Van Morrison and Bob Dylan.  “I’m sure that had a big effect on our songs being very lyrically driven,” he says. Drummer Matt Thomas’ taste is also varied, spanning the spectrum from jazz to metal with some Frank Zappa in between.

For Dafydd, it all comes back to good and bad music. “That’s why an album for us is a very dynamic piece of work,” he says. “I don’t want to hear the same sound or same structures twelve times on an album. I want to take you on a journey.”

And the Joy Formidable deliver. These varied musical tastes come together in a post-grunge sound that has traces of the Pixies, Sonic Youth, Garbage and Smashing Pumpkins. Bryan only plunges the bands’ sounded deeper into the 90s, drawing parallels to grunge girls PJ Harvey and Louise Post and Nina Gordon of Veruca Salt. Even Bryan’s look channels Courtney Love with her updated baby doll dresses, albeit Bryan looks the wholesome, impish anti-thesis to Love’s heroin chic hot mess.

So it is easy to see why Dave Grohl tapped the band to open for the Foo Fighters this fall, alongside Social Distortion. “It’s a kind of nice story because it seemed to come around quite naturally,” Dafydd says. While driving one day, Grohl heard the band’s “Whirring” but didn’t catch the name of the band. Trying to remember the tune in his head all the way home, Grohl figured it out, tracked them down, and since then, the Joy Formidable has played several shows with the Foos, including a secret show at Lollapalooza and some dates in the UK.

Dafydd confirms what so many others are already saying about Grohl and the Foo Fighters being the nicest guys in rock & roll, “We had a blast. They’re very down to earth and still know what’s important about it all and that’s the music,” he says. “Sometimes you get people with motives or with weird sort of egos and competition. They seem genuine, and that means a lot.”

The Joy Formidable came together in its most recent incarnation three and a half years ago. Bryan and Dafydd are childhood friends and reconnected musically in their hometown after a string of bad experiences, “We got back into writing music for the right reasons. We started enjoying and losing ourselves in the music, which is what is important.” They found a drummer. They rehearsed. That drummer didn’t work out. They found Thomas, and since he joined two and a half years ago, Dafydd says, “It’s been non-stop gigging.”

In addition to being childhood friends, Bryan and Dafydd are also a couple.  Dafydd says the only challenge for them in that respect is to find alone time because the band and the music is so all-consuming but says that was a choice the two made early on. “We’re quite lucky in that, first and foremost, the music is what brought us together,” he says. “We had that before we even became a couple.” If anything, he says it adds to the natural dynamic and chemistry necessary in a songwriting partnership. As with everything else, Bryan and Dafydd see it as a blessing that they get to travel this journey together.

“It’s a really beautiful thing that we’ve found it together. Dynamic in a band is a very precious thing,” he says.  He cites chemistry as a crucial element in a band because of the amount of time spent together, and says, “We feel like we’ve got that ultimately. When we get onstage, that’s where it all comes into its own, and we really lose ourselves. That’s where the beauty and the truth comes out.”

That beauty and truth is ever present on their journey, and there is a moment in every day that Dafydd is well aware that he and his bandmates are living a life many only dream of, “It’s not a job at the end of the day,” Dafydd says, “It’s a lifestyle, and it’s a privilege to be able to give value to our creative outlets in a way that it connects with other people. We don’t take any of it for granted.”

Dafydd, Bryan and Thomas have been travelling the festival circuit for a large part of the last year, and the rest of 2011 includes another month or so of festivals before a headlining tour in the UK. Then they’re back in the US for the Foo Fighters’ dates and even more shows follow after that. Dafydd wouldn’t have it any other way, in fact, he revels in the travel and touring to help generate the spark of creativity.

The variety of travel affords the band with the opportunity and freedom to get ideas down, collaborate and feel inspired, “It’s a great time to be feeling these things and seeing these things and meeting new people and seeing the world in that different light.” He adds, “To challenge yourself as a songwriter, you have to be able to put yourself in different contexts.”

The band arrives in Philadelphia Friday, September 23 for the Popped! Music Festival at FDR Park and then again for their date with the Foo Fighters at the Wells Fargo Center on Thursday, November 10. They’ve been to the states several times, staying mostly along the east and west coastlines, and Dafydd knows they’ve got some ground to cover in between, “There’s still some nooks and crannies, but we’ll get there.” No doubt about that: the Joy Formidable are well on their way.

Committing Idolatry: Foo Fighters

16 Jun

I don’t think this has ever happened before. I don’t think I’ve ever fallen more in love with a band seven studio albums into their career. Isn’t the lust phase supposed to end after a few years? But it has happened – I am head over heels for the Foo Fighters as much now as the first time I laid ears on them. Alright, sorry – I know I can afford to tone down the cheese factor, but for real – their most recent, Wasting Light, is, without a doubt, the Foos’ finest.

I will admit, for a brief moment, I was skeptical and curious to see whether the drummer of Nirvana could pull of a lead singing gig in a brand new band.  I remember seeing one of their early videos on Mtv, back in the glory days when Mtv played videos, and thinking, “Hmm, how’s this gonna work out?” Quite well, it would seem.

The Foos still have it. So many bands mellow with age, but the Foos are still clearly evolving as a rock band. They’re rocking it harder than ever. I waited with bated breath for the CD to arrive in my hot little hands, as there are only about three artists left who I need to have their actual CD, to still enjoy that experience of looking through the liner notes and slipping an actual disc into my car stereo. Of course, in this day and age of maximum accessibility, I’d already heard the entire album front to back and back to front weeks before its actual release date, due in large part to James Molls’ documentary Back and Forth.

My fascination with rock stars is and always has been that they are ordinary people living their lives with an extraordinary backdrop. Back and Forth completely feeds into that. Grohl has been labeled “the nicest guy in rock,” and that comes through in Back and Forth, even among band re-orgs and Grohl re-recording all the drum tracks behind early drummer, William Goldsmith’s back. Seeing these five seemingly average guys (albeit wealthy and famous beyond belief) cutting an album in a garage (albeit a garage the size of a house) feeds right into my fascination.  

The doc not only chronicles the making of Wasting Light, but the timeline of the band, from Grohl’s time in Nirvana to the present day with the Foos. And for a band that doesn’t divulge or indulge in gossip and tabloid fodder, especially when the lead singer is constantly bombarded with, “Is that song about Kurt Cobain?” it definitely whets the appetite for any fan. And it whets the appetite for those Nirvana fans, too (of whom I am not especially), as Butch Vig produced the album and Krist Novoselic plays bass on the serioulsy kick-ass track, “I Should’ve Known,” which one cannot help but listen to and wonder, “Is that song about Kurt Cobain?” It’s a vicious cycle.

And, of course, there’s the direct hit of the arrow straight to my heart – the clincher, the thing I find most exciting about Wasting Lightit was recorded on analog. There is a moment in Back and Forth where the engineer marks and splices the tape…I am such a little analog geek that I get a little wanderlusty for the days when I wanted to make films…on film. Slightly different mediums, but the concept’s the same. The resulting sound is different, as well, and it’s noticeable on Wasting Light. Analog is richer, it’s fuller, it’s…Filet Mignon. Digital may be convenient and malleable and able to achieve near perfection, but I liken it to a much cheaper cut of meat, like…brisket. I don’t much care for brisket.  

What I do care for is the Foo Fighters, Wasting Light and Back and Forth. Check them out – check them all out.

New Foos Coming Soon

9 Jan

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