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Nikka Costa is Still Chasing the Thrill

29 Aug

After spending her childhood with the likes of Frank Sinatra and Sammy Davis, Jr., R&B veteran Nikka Costa has made a career out of versatility, perseverance and hard-driving funk.

When we spoke, Nikka Costa was in the midst of coordinating rehearsals with her band, gearing up for her United States tour in support of her newly released EP, Pro*Whoa! The goal, Costa said, is to release a series of EPs rather than go the typical full-length album route. “For me, right now, this feels more exciting – it keeps the engines running,” Costa said. “Plus, it suits the ADD culture we’re living in.” She also thinks it’s good for the fans to give them little bursts of Costa’s funk and soul rather than unload her fierceness all in one huge chunk.

Mission accomplished. Pro*Whoa! is a tight collection of six songs that highlight Costa’s signature hybrid sound of rock and funk with a heavy dose of soul and a dash of hip-hop mixed in. She’s a true Gemini: uber-feminine, and even girly, but when she opens her mouth to sing, her voice explodes from your speakers. It’s easy to see where her influences lie. She’s Janis, Jimi, and Led Zeppelin all folded into the tiny package with a big, sultry voice that is Nikka Costa. And she’s not shy, nor is she afraid to get naked for her art. Costa recently appeared on her YouTube Channel, “Nikka’s Box,” standing topless with a letterbox over her bare chest, the words Pro*Whoa! splashed across, and asked “What’s a girl gotta do to get the word out?”

Perhaps the reason for the shameless promotion is due, in part, to the fact that Costa hasn’t quite exploded in the United States…yet. Her self-titled debut released when she was just nine years old, and through the years she’s found much of her success overseas in Europe. Hits like “Like a Feather” and “Everybody’s Got Their Something” penetrated the airwaves stateside, and she’s a bit of a soundtrack darling with songs appearing on the television show Grey’s Anatomy and the films Blue Crush and Blow. There was a time Costa even questioned whether she wanted to be a musician.

“I had been touring from the time I was eight until I was twelve,” she said. She’s the daughter of famed musician, conductor, arranger and producer Don Costa, best known for his work with Frank Sinatra, arranging and producing Sinatra and Strings, as well as producing hits for the Osmond Brothers, Sammy Davis, Jr. and his own daughter’s single “Out Here on My Own.” The two were planning a follow-up to the single when the elder Costa died of a heart attack.

Around that time, Costa said she didn’t want to perform anymore and lived a “normal” childhood. Once she finished high school and all her friends headed off to college, however, Costa realized being a musician was the path for her. Costa’s “college years” consisted of writing songs, traveling around in a van, auditioning drummers, hanging her own posters and learning guitar. “I was out there doing it,” she said.

And Costa never looked back. She went from “sitting in the laps of the real Brat Pack,” as she sings on the new EP’s title track, to rubbing shoulders with celebrities and collaborating with big name artists like Eric Clapton.

So being around famous people her entire life, it’s hard to imagine Costa getting star struck. “Madonna walked right by me once and I didn’t say hi—I couldn’t,” she laughs. Same with Stevie Wonder – the first time she saw him she was too in awe to say hello.

She’s sung with Prince on several occasions, but Costa said he still has a starry-eyed effect on her. “There have been a few times when I’m sitting across the table from Prince, and I’m thinking, ‘This is so surreal—I’m talking to Prince!’” In fact, Costa’s sound, at times, is very Prince-like, especially on Pro*Whoa!’s, “Head First.”

Costa recently collaborated with another artist walking the androgynous, glam-rock line, American Idol runner-up Adam Lambert, and contributed a few songs for his sophomore album. “He’s great because you can throw anything at him, and he can sing it.”

Costa said it’s nice to collaborate and write for other artists, “It’s good to go into their headset and see where they are.” Costa said. “It’s fun for me, too, to be outside myself.” The challenge of writing for other artists creates challenges for her own songwriting. She can return to her own music with new perspective and fresh eyes.

Touring can also offer some fresh perspective and downtime gives Costa more time to get her life in order. On the road, Costa’s favorite pastime is organizing her computer, of all things. “I wind up doing things I can’t do at home because I end up cleaning.”

Things like deleting duplicate photos and learning how to use Garage Band help pass the time. Depending on the city, she loves checking out the scene once the sun goes down, but said the local park scene ranks pretty high on the list, too, especially when her daughter hits the road with her.

“It’s not good when I’m away from her for too long,” she said, her voice dropping an octave and losing a bit of its upbeat lightness. Now that her daughter is getting older, she joins Costa on the road. “She loves touring,” Costa said.

“We look at it as an adventure.” she said. “It’s really great for her. It gets her out of her schedule for a minute. Obviously, we’re always thinking of her first.” And the “we” is Costa and husband, Australian music producer Justin Stanley, who she said have been married for “a million years,” so the work/life balance is old hat for them. She said when they can’t get it together for whatever reason that’s when the balance becomes hard.

The Pro*Whoa! tour will find its way Philly on July 13 when Costa performs at World Café Live, and Costa said she loves heading to the City of Brotherly Love. “I love Philly, it’s an awesome city with its funky restaurants and tattoo shops.” Even though the venue tends to be one that is memorably on the chilly side, Costa said. “We’ll try to bring some heat. I love it when it’s a sweaty funk fest.”

Words to live by, Costa said, consist of only one, persevere. “I’m always telling myself to persevere.” After a literal lifetime of singing and eight albums under her belt, Costa is persevering quite well.

This article was originally published in the July 2011 issue of Origivation Magazine, http://www.origivation.com

JetStream: What I Did on My Summer Vacation

25 Aug

It can be a rare feat for an opening band at a concert to captivate an audience, and an even rarer feat for the first opening band. But California based JetStream has the ability to hold their audience in rapt attention. The three man band is definitely big on talent, which makes people stand up and listen on its own merit, but the fact that they are not even in their twenties makes an audience’s collective jaw fall open once they start unleashing said talent. And what did the band, who consists of Garrett Zeile, Kevin Grimmett and Ben Zelico, get to do on their summer vacation? Open for Stone Temple Pilots.

This is a rock & roll fantasy scenario only dreamt of by bands in basements and garages across the country, but these guys made it happen for themselves. While rehearsing one afternoon at Mates Studios in North Hollywood, JetStream had the good fortune of landing the rehearsal room next to the Stone Temple Pilots and caught the ear of bassist Robert DeLeo. DeLeo immediately took an interest in their music and initiated some discussion with the band members about writing and producing some songs together, as well as bringing the band out on tour.

Initially, JetStream’s manager, and Grimmett’s father, John, was a bit nervous when DeLeo said he wanted to invite the guys to come out on tour with them. Sure enough, though, DeLeo called, and JetStream joined them for 14 shows over a 27 day period. “Robert is a man of his word,” the elder Grimmett says, and added that STP’s people and crew working on the tour were all really nice to the guys.

“It’s really exciting to see the excitement that’s been building from that,” John says of the tour and watching the positive comments roll in from their rapidly growing Facebook fanbase. They even hired someone to accompany them on tour to handle all their social media, including a Vlog on YouTube (http://www.youtube.com/watch?v=q1sT3QvUgdI&feature=related) that documents the entire journey from start to finish.

The band’s been touring without an EP to support and, to compensate, have kept themselves busy in their hotel rooms burning and labeling CDs to hand out at shows. That, and Grimmett and Zeile have taken up golf. Grimmett says, “We get outside and it takes up all day.” As for Zelico, “Ben sleeps a lot,” Zeile adds with a chuckle that is chorused by the other two.

JetStream got together four years ago in Agoura Hills, California. They were the first to enroll in the School of Rock there and, after running through a laundry list of cover songs, Zeile, Grimmett and Zelico decided they wanted to do their own thing.

“We grew up with both old and new,” Zeile says of their influences, “We’re rooted in Zeppelin and Jimi Hendrix, but we also take influence from Muse, Foo Fighters, the Strokes and Kings of Leon.” The latter of whom’s “Molly’s Chambers,” JetStream covers in their live show. Their own sound is a reflection of the melding of the old with the new. It’s a little bit grungy, a lot loud and rockin, and the way they move and interact onstage is so tight, if you closed your eyes, you’d think they’d been playing together for decades.

This summer was, however, their first tour, and during the school year, they play shows mostly on weekends and rehearse in between sports and schoolwork. Grimmett pulls double duty, running from baseball practice every day afterschool to band rehearsal three times a week.

What’s next for the band once they get back to California? “Reality,” one of them says, with the slightest hint of disappointment in their voice. Zelico started community college as soon as they got home, and Grimmett was going for his learner’s permit. Musically, putting out an EP is a priority, “Out of necessity,” Zeile says, “we need to make a record or EP.” They’ve already recorded several songs with DeLeo, and there is talk of recording more, but scheduling conflicts have caused the project to stall. As teenagers, the guys of JetStream have nothing but time on their side, especially since they’ve already got the talent.

Chris Campanaro is No Starving Artist

11 Apr

Chris “Cecil” Campanaro is an artist, but as a bassist in three bands, including Terraplane Sun, and a successful film and TV composing career, he definitely does not file himself under the starving artist label. “I enjoy it,” he says of what he does and the amount that he does it. Campanaro says of the balancing act, “It’s been a challenge, but it’s been good.”

Starting out, playing shows was the only vision Campanaro had. He didn’t even realize or see that there was a whole other side of the business as far as composing and writing and the ability to make a living while still doing what he loved, “It was all about play, play, play when I thought about being a musician as a kid.” While he loves playing and performing, he says, at the same time, “I wanna be able to eat.”  So at around the age of 21 or 22, he began composing, and it was a career path he fell into.

While rooted in San Diego, California, he made a solo record of what he labels, “weird, abstract sounds – recording microwaves.” A friend of a friend got a hold of his record, he relocated to Venice, California, which he was looking to do anyway, and composing snowballed for him from there. He didn’t know much about that aspect of the industry, at the time, and was very fortunate when people took the time to teach him and expose him to that industry and give him lots of opportunities to grow and show off what he could do.

That included the album, American River, which he co-composed, arranged and produced and went on to gain a Grammy nomination in the New Age category, “Which is funny because if you know me you think, ‘what the hell is he doing in there?’” Campanaro laughs. He was 23 and thought, “What am I even doing here? It was a trip.” He didn’t win the award, but the old adage of it being an honor just to be nominated rings true for Campanaro, “We got robbed!” he jokes, “No, we definitely won. Shit, I won. That was one to show the parents, for sure.”

In addition to composing, Campanaro is always playing in one band…or two or three. He’s in several bands at the moment, including Taxi and playing with Matt Ellis from time to time, but Terraplane Sun is taking up most of his focus these days. The band has been out on the road recently, which included a month long residency at Las Vegas’ Cosmopolitan club. “It’s been really great. The Cosmo is a really cool spot.”

The club, which opened last November, is located near the Hard Rock Café. The Cosmopolitan, however, is less concerned with filling their venue to capacity just to fill it and more concerned with putting on shows that make people feel creative, to keep up with music in the current times. “It was a good scene, good exposure, good reaction,” Campanaro says.

Terraplane Sun formed a few years ago after Campanaro and singer Ben Rothbard kept crossing each other’s paths on the LA music scene. They played together a couple of times before realizing they should play together on a more consistent basis and formed a band. After a number of lineup changes, the Terraplane Sun that exists today and has been playing together for a little over a year, consists of Rothbard and Campanaro, guitarist Johnny Zambetti, Scotty Passaglia on drums and Gabe Feenberg on keys. Campanaro says, “There’s a good energy with these five guys.”

Influences as individual band members are all across the board. “The other guys are more old school, like deep, gritty blues and old folk, whereas I’m more into punk and Motown.” As a band, Campanaro thinks their sound probably comes more from the folk and blues place, but says Terraplane Sun is a crossbreed of everything into one.  

The bluesy influence is definitely easy to spot with a nice mix of rock and folk blended in. Their remake of Wanda Jackson’s “Funnel of Love” is great, and they fit in nicely with the current musical climate alongside bands like Cold War Kids, the Black Keys and Cage the Elephant. At the same time, though, they stand apart from all the others by doing things the way they want to when they want to do it.

Terraplane Sun has finished their second record, and now, the focus is on playing and even more recording to keep themselves out there for people to hear. The goal is just to keep on their own schedule and their own path, “We’re doing our own thing as a band, we’re on our own trip. None of us are overthinking it.”

Campanaro’s instrument of choice is the bass but plays everything else “poorly,” says he. “I can get what I need to hear out of what I play.” He used to play solo, but not so much anymore. His other band, Taxi, is a three piece featuring two bass players and a drummer, “All my thoughts are thrown out there with that band, and it’s so fun for me to do that. It gets to go in whatever direction it’s gonna go in. And I get to scream and sing, which is great.” For now, though, composing and Terraplance Sun are the priority, “It’s been a good trip so far.”

Campanaro says he never had his “a-ha” moment where he just knew he had to play music, either that or he says it hasn’t happened yet, nor does he know if it ever will. “I was terrified as a kid trying to be a musician. There’s definite unpredictability going down that road,” he says, “I wasn’t gonna back out, but it was tricky.” And when the writing opportunity opened his eyes to a whole different side of the music industry, the fortitude and luck of his career trajectory are far from lost on him, “I’ve just been grateful.”

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